10 Magical Christmas Movie Soundtracks

Sean Wilson will get prepared for the festive season by firing up a playlist of important seasonal tunes…


What’s a Christmas film with no sprinkling of musical magic? A lot of our favorite festive hits are outlined by their soundtracks, so, within the spirit of the season, I’ve rounded up 10 basic scores that by no means fail to place a smile on our faces.

House Alone

One merely can not rejoice Christmas, or certainly compile a Yuletide soundtrack listing, with out John Williams’ heartwarming masterpiece. A late substitute for Younger Sherlock Holmes composer Bruce Broughton, Williams as soon as once more demonstrated his potential to redefine virtually any style. That includes a bunch of memorable themes, anchored by the whimsical ‘Someplace in My Reminiscence’, plus some drum-machine laden motion materials and a few really heavenly authentic carols (‘Star of Bethlehem’ being absolutely the spotlight), House Alone set a brand new customary for Christmas scores.

Die Laborious

Sure, regardless of all the present web hypothesis, John McTiernan’s lean, imply and witty motion film is most actually a Christmas film. (Its villain, Alan Rickman’s Hans Gruber, even explicitly invokes the season itself at one stage.) Accompanying Bruce Willis’ fish-out-of-water cop John McClane each step of the best way is Michael Kamen’s terrifically pensive and suspenseful rating, one which, pleasingly, additionally has a way of humour about itself. Adorning the livid motion tracks with sleigh bells, incorporating strains of winter staple ‘Let It Snow’ and utilising ‘Ode to Pleasure’ from Beethoven’s Ninth Symphony because the leitmotif for Gruber, it stakes a declare to being probably the most distinctive Christmas (and blockbuster) soundtracks of all time.

The Snowman

This landmark Raymond Briggs adaptation could also be best-known for its Peter Auty-performed ‘Strolling within the Air’ (later co-opted by Aled Jones), however one shouldn’t underestimate the significance of Howard Blake’s rating. The Duellists composer fashions a gorgeously balletic symphony of dancing strings and brass, as if mirroring falling snowflakes, earlier than hovering through the movie’s breathtaking aerial sequences and, lastly, dialling the whole lot again to a devastating solo piano in these heart-rending closing moments.



John Debney is a composer who has flitted between genres, from gentle comedy (Liar Liar) to horror (I Know What You Did Final Summer season) and swashbuckling pirate motion (Cutthroat Island). For this 2003 Will Ferrell hit, he unleashes the total quotient of lilting melodies, bells and seasonal choir, lending a joyous sense of innocence to Ferrell’s deft comedy efficiency. It’s a light-weight rating however a loveable one which serves its film effectively, whereas additionally marking the primary in a sequence of collaborations between Debney and director Jon Favreau that has gone on to embody Zathura, Iron Man 2 and The Jungle Ebook.

The Polar Categorical

At occasions bearing uncanny similarities to the aforementioned Elf soundtrack, this superb Christmas extravaganza from Alan Silvestri is unashamedly daring, sentimental and heartwarming. Working along with common collaborator and pal Robert Zemeckis, the composer is given free rein to unleash each Christmas musical cliché within the ebook, from bells to vocals and prancing, Sugar Plum Fairy-esque orchestral preparations. There’s additionally time for sweetly seasonal tune, ‘Imagine’, written by Silvestri and Glen Ballard and carried out by Josh Groban.

A Christmas Carol

One other Silvestri/Zemeckis adaptation that distills the spirit of Christmas, though this time in distinctly extra melancholy and darkish methods. In spite of everything, Charles Dickens’ landmark story is one infused with a chilling bleakness, an outline of a merciless man in the end redeemed by the magic of the season, and Silvestri’s rating manages these disparate components brilliantly. Veering from spirited interpolations of basic Christmas carols to toiling, Gothic undercurrents, it’s a richly upholstered soundtrack that beautifully honours Dickens’ enduring legacy.

The Nightmare Earlier than Christmas

Occupying that off-kilter hinterland between Halloween rating and Christmas rating, Danny Elfman’s twisted musical masterpiece juxtaposes comical darkness with a shocking quantity of sweetness. The Tim Burton-produced, Henry Selick-directed stop-motion animation rises on the energy of Elfman’s musical compositions, one which champions each the darkish aspect of pumpkin king Jack Skellington while additionally reflecting his redemptive awakening upon discovering the land of Christmas. Plus, it has a brilliantly nasty quantity titled ‘Kidnap the Sandy Claws’. What’s to not like?

Miracle on thirty fourth Road

It’s an age-old argument: which Miracle film do you favor? Opinion tends to separate between the 1947 Maureen O’Hara basic and the equally beloved Richard Attenborough providing from 1994. By way of the rating, the latter wins out, as composer Bruce Broughton follows within the footsteps of John Williams by fashioning his personal lyrical carol preparations (‘Bellvue Carol’) alongside a full orchestral ensemble. It’s not earth-shattering however Broughton’s beautiful music embodies the essence of Attenborough’s cuddly Kris Kringle.

The Grinch

The late, nice James Horner usual a long-standing collaboration with director Ron Howard, a partnership that encompassed classics together with Willow, Apollo 13 and A Lovely Thoughts. This festive providing might not rank with their most memorable scores however it’s acquired sufficient festive sweetness for a dozen Christmas films. In-keeping with Jim Carrey’s manic tackle the Dr. Seuss character a lot of the music is zany and deliberately foolish, in the end unveiling these acquainted, heat James Horner melodies within the closing levels because the magic of Christmas takes over.

The Muppet Christmas Carol

Few can resist Jim Henson’s tackle Charles Dickens’ timeless story, one devoted to the reminiscence of the Muppet creator who died throughout pre-production. It manages the difficult feat of sustaining the Muppets’ acquainted wacky humour while additionally staying trustworthy to the creator’s gloomy Gothic undercurrents, largely right down to the brilliantly extreme efficiency of Michael Caine as Scrooge. Equally strolling a tightrope act is the all-singing, all-dancing soundtrack, a collision of ear-worming Muppet hits (‘Scrooge’/’A Grateful Coronary heart’) and a strong orchestral rating from Miles Goodman.

Sean Wilson is a author, journalist and soundtrack fanatic, and could be discovered on Twitter here.


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